The Museum of World Insects and Natural Wonders, Chiang Mai, Thailand


Travel Feature

 Chiang Mai's Museum of Natural Wonders
 

By Benjamin Malcolm

Theology as much as entomology abounds in the Museum of World Insects and Natural Wonders in Chiang Mai. "All about the museum", signage by curator Manop Rattanarithikul exhorts guests to explore their inner world as well as the biological imperative of our threatened planet.

"The car kills many people and will kill many more. Pollution is a danger. The hungry mosquito takes a tiny drop of blood. The crook takes the nation's treasures. Which one is better?" posits one hand-lettered placard on the first floor.

Manop and his wife, Dr. Rampat, have dedicated their lives to this riddle and many others. In the process they have come to share their visions in the privately-funded Museum of World Insects and Natural Wonders, tucked away on a quiet street in Chiang Mai. Filled to overflowing with all manner of insect display, the museum also boasts a first-rate collection of naturally-carved wood and stone, coins, postage stamps and other rare objects and eccentricities.

To call this only an insect museum would be an injustice - in truth, it is a museum of the couple's vision, dedicated to the preservation of the natural world and directed toward leading a moral, thoughtful life.

Manop's passion comes across loud and clear, especially when one gets the chance to sit down and talk to him. In his mosquito-embossed shirt and spectacles, he is one part scholar and one part firebrand, yearning to challenge those who enter the doors of his house to explore the world and its wonders. The museum was birthed not only from the couple's work, but also from his desire for Thailand's future generations to know the importance of the natural world and to get away from their "slavery to scientific technology."

"If the children cannot see the parents, they won't know them. It's the same for nature. If they never see it, they'll never know their parent," he said.

The museum has attracted many people and some of them have even offered money for its contents.

"I could sell it, but I don't want to," Manop said. "I want to keep it for Chiang Mai … for Thailand."

Manop finds all manner of creative expression to voice his concern over the planet and for Thailand. On the first floor, there are a series of paintings he has finished (covering environmental and political concerns) and a fascinating collection of naturally-carved rocks and wood, either chewed into shape by insects or carved slowly over time by wind and weather.

Visitors to the museum feel as if they are entering a forest when they step inside the entrance, as greenery, various abandoned nests and teakwood pieces greet them at the doorway. A gigantic hornet's nest sits amidst all, innately threatening and yet empty. Stones on display in an adjoining room have taken on all manner of shapes, including a puppy, a chicken and egg, a potato and even a whirlpool. Manop provides a "follow the numbers" trail around the museum, carefully marking out each and every feature.

The exhibition remains topical. One sign, addressed to George W. Bush and Saddam Hussein, states: "Both of you are God's creatures like the mosquito. The mosquito's taking blood is necessary for their survival. No blood is needed for seeking greed. This is the difference between an insect and civilized people."

There is all manner of display, but it is most definitely the insects that hold sway here. On the second floor, under glass cases, row upon row of carefully identified beetle, butterfly, walking stick, moth and others are lined up for the visitor's pleasure. There are so many, according to Manop, that the museum has to rotate every so often to keep the exhibits fresh. Near these, another sign points out that, true to the nature of the enterprise, almost all specimens were collected post-mortem, rocks and shells from construction sites or other disturbed environments.

Manop explains where his habit of collecting began. In 1936, he was due to have his photograph taken with his grandmother in Chiang Mai, but kept crying when the two travelled to the photographer's shop. Eventually, after several failed trips, they were walking home and spotted a bunch of vultures circling above Chiang Mai Gate. Manop, who was three years old at the time, spotted a grayish-white rock on the ground. His grandmother told him it was a vulture's egg and told him he could keep it if he agreed to behave and have his picture taken with her.

The result, hanging on the far end of one of the shelves upstairs, is a black-and-white photograph of a 90-year-old woman affectionately holding onto her grandson, a well-behaved boy with a peculiar "vulture's egg" shaped bulge in his pocket.

Manop's future was assured in 1950 when he met and started to work for Lt. Commander Deed Thurman, the Malarial Control Advisor at the U.S. Consulate in Chiang Mai. Thurman paid Manop 12 Baht a day to catch mosquitoes for research, thus beginning a process that continues to this day. The museum was officially opened to the greater public in 2000, although the collection spans a lifetime of travel and research.

The central theme of this research is, of course, the mosquito. There is a plethora of information about the life and habits of this creature, presented in Manop's unusual style and sense of humour. Parts of the museum explore mosquito structure, diseases carried by the insect and the creature's life cycle. Dr. Rampat is finishing up her extensive fieldwork and will publish the definitive identification keys for the 420 species of mosquito in Thailand.

One room's pictures and passages detail the dangers of the mosquito (only 44 out of the 420 are disease carriers). Hanging over all of these is a nine-point "statement by Thailand's mosquitoes," written by Manop, which begs forgiveness for the natural hunger of the mosquitoes and insists that they are, after all, part of the natural order and do provide benefit in the form of transmitting immunity in certain cases.

The sixth point of this statement revisits the theme that is honoured throughout the museum, part and parcel of the Museum of World Insects and Natural Wonders.

"We give thanks to God, to Mr. Manop and Dr. Rampa Rattanarithikul that they understand us and wish to help bring attention to preserve all God's creatures while doing no harm and making no impact upon the original environment."

 

 From Benjarong Magazine - May 2003, Volume 7 Issue 5


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