The Evason Phuket Resort, Thailand


Hot Tables in Phuket

 Into Fusion
 

By Kit C.Cauw

When people ask me why I was first drawn to Thailand, I always feel somewhat ashamed, sinful. As a Peace Corps Volunteer in the Nineties, my motivation for coming here stood out among those of my peers like a singular prawn in a bowl of duck curry. They were here to explore Buddhism, to learn about the culture, to share America's "goodness", to save the rural poor. That my primary interest was food never failed to draw peels of self-righteous laughter.

Nearly ten years later, however, most of my fellow volunteers are long since departed. Many precisely because they missed Mom's cooking. I, on the other hand, have returned to my adopted home and continue to enjoy Thailand's stellar cuisine. One of my favourite things about this country is that I can balance my budget by eating locally for a few nights before indulging in a Western fancy. Outside of Bangkok, no place is easier to embark on tours of world class cuisine than Phuket, where excellent beach-side huts serving fresh seafood and Thai favorites stand shoulder-to-shoulder with restaurants of international repute. In Rawai, on the southern end of the island, I recently left the local eateries behind for an evening in Thailand's "other" world.

Gracing a rocky bluff at seaside, the Evason Phuket Resort is the only five-star hotel in the area. One arrives through a coconut plantation, then rises to the top of hill, where the resort perches with stunning views of Ao Chalong Bay and its many islands. The restaurant complex is built above the shore; one can almost feel the spray of breakers crashing against the walls below. The central restaurant here is named, aptly, Into The View. To the left is Into Thai; down one level, one arrives at Into Fusion, the most elegant, romantic, and formal of the three. A line of booths has been sculpted from the wall in white stucco, each with the feel of an individual grotto, illuminated by candles recessed into the plaster. I couldn't decide if they look more Mexican or Greek, but there is no doubt that they are capsules of rare intimacy.

On the night we visited, rain had been falling since late afternoon, so the patio tables were closed off, covered in plastic tarps. On a nice night, however, dining under the stars, just above the sea, would be exquisite here. We ate instead at a table near the booths. The view of black islands rising from black water, fishing boats with bright white lights strung out to attract squid, and the odd long-tailed boat cruising the shoreline was lovely even from this relative distance.

In keeping with the Evason's theme of earth tones and natural materials, the white walls of the cave area are contrasted by dark woods, heavy cotton place mats and napkins of deep orange, similar in colour and tone to Hawaii's famous red dirt. The bamboo director chairs, with thick canvas seats of a subdued, flat red, have been stained black to match the solid wooden tables. Plates and silverware are black, hammered metal, and the cover of the menus is of the same rugged substance. Not surprisingly, the servers here have well-defined arm muscles!

After much dithering about, I chose to start with hot apricot, salmon, soba noodle and enoki salad with mirin and ponzu dressing, while my girlfriend opted for a more traditional, in Thai terms, satay prawns with green papaya salad. Though satays, small skewers of meat marinated in coconut milk, are as common in Thai markets as green papaya salad, the substitution of prawns is a Western twist. They were divine, fresh firm, sweet and perfectly complimented by the peanut sauce. Both dishes were beautiful to look at, the bright pinks and reds jumping off the dark plates. My salmon was slightly smoked, playing nicely with the sweet flavour of the apricot sauce, and the soba contributed a nutty touch to the dish's harmony.

Just as we were regaining our appetites, the main courses arrived, salmon and prawns on kaffir lime and pistachio noodles with chili caramel sauce for her; kaffir lime crusted lamb loin with indian spiced eggplant and galangal gazpacho sauce for myself. Just consider for a moment my dish. It begins with the Thai kaffir lime, followed by a Western lamb, then Indian spices, South-East Asian galangal (of the ginger family) and Spanish gazpacho! The only way it gets any better than this, in my humble estimation, is if it tastes as good as it sounds. This was better. I couldn't have been a happier diner; I caught myself humming as I chewed. The lamb was exquisite, the galangal imparted a welcome zing and the soft eggplant provided a pleasing textural contrast. The key, after all, to fusion is the alignment of elements into correct proportion. One doesn't want India to annihilate Spain, for example. If only the real world could achieve the accord created in this single entree!

The salmon and prawn pasta, one of the restaurant's most popular dishes, was also superb. I had expected chunks of fish and shrimp in a creamy sauce. Instead, a generous slice of salmon fillet rode a bed of pasta, flanked by rows of succulent prawns skewered on lemongrass stalks. The salmon was tender and cooked, again, to perfection, in a word, moist. In another, mouth-watering.

The first two courses of dinner had filled me with delight, but as I delved into a pandanus tiramisu and a bowl of homemade cinnamon honey ice cream, a pang of sheepishness and regret struck. Into Fusion has exactly what I like in a formal restaurant. Romantic atmosphere, great service, innovative, tasty cuisine. Even the ice cream selection is under fusion's creative spell, with such flavours as Guinness and watermelon & pepper sorbet. In all, there are forty flavours, beating Baskin Robbin's 32 by a whopping eight! and all are homemade right here. Yet I'd been deprived of this extravagence for eighteen months! How could I, a fusion lover and food writer, have lived in Phuket this long and never dined here before? It seemed a crime of dire consequence, one which I must endeavor to atone for with diligence. Indeed, I vowed that this evening would mark the beginning of my penance, a reparation which I must carry out on a regular basis!

 

 From Benjarong Magazine - December 2004, Volume 7 Issue 12


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