J.W. Marriott Phuket , Phuket, Thailand


Paradise Found
Romantic Resorts
 

By Kit C. Cauw

My most notorious Marriott Hotel experience took place in Vail, Colorado, when I drank my friend's contact lens. Of course, he shouldn't have left something so precious floating in a water glass beside the sink while fifteen college kids lay passed-out across the floor and beds of the room proper; with one fellow snoring in the bathtub. The first thing anyone does in the morning after such a night is reach for a glass of water. That his lens was destined for human intake could not be disputed; mere chance dictated that I was the agent of digestion. Thankfully it was a soft lens.

I am quite certain that the Marriott Vail Hotel is quite charming and lovely; the rooms are well-appointed enough to (more or less) comfortably sleep fifteen. I recall an outdoor Jacuzzi where one could drink quality, Colorado margaritas then jump directly into the snow. I am positive that the views were breathtaking. Finally however, I know that were it not for the contact lens debacle, this hotel would not stand out among the Sheratons, Holiday Inns, Hiltons, and Novotels of my life. It wouldn't even crack my top ten list. It was just another very nice hotel.

The J.W. Marriott Phuket Resort And Spa is a whole different experience entirely, memorable not for sophomoric antics but for its unbridled excellence. A quality resort is far more than just a place to sleep, eat and unwind. It is more like a dream world; as such, it provides an experience akin to that created by an exceptional novel or movie. We enjoy a novel, in part, because we enter into what the great teacher of writing, John Gardner, called the "fictional dream." Any time the author makes a mistake, he jerks the reader from this dream.

The same holds true of the hotel experience. Should the resort's short-comings rupture the dream, the guest will respond with irritation, complaining that the steak is either too bloody or too similar to the bottom of his shoe, the water too cold, too hot, or insufficient in pressure, or any of a myriad similar annoyances.

One expects to feel special in the resort's dream world, pampered, yet allowed room to roam about freely, to feel at least as relaxed and natural as one feels in one's own home, yet with none of the concerns of ownership, no worries about mildew growing on the baseboards that the cleaning lady really should have noticed last week. The J.W. Marriott Collection seeks to meet these expectations, to provide "approachable luxury," luxury which is not pre-set, requiring guests to adhere to its confines, but which is defined by guests' desires and needs.

The J.W. Marriott Phuket experience begins in style, with the gold Mercedes limousine that whisks guests north from the airport. The fifteen-minute ride zips through rubber plantations and traditional villages virtually devoid of billboards. The island narrows, with Sirinath Marine National Park on the left, Pang Nga Bay just out of sight to the east. There is no mishmash of souvenir stands or bars, snake and crocodile shows to indicate that a resort is hidden in the seaside thicket, just an unobtrusive sign on a side road. More than any other hotel in Thailand's largest resort destination, the J.W. is an island unto itself, rising suddenly, magnificently, amid the coconut palms.

Landscape architect and wizard Bill Bensley, who has magically transformed many of Thailand's most beautiful resorts, including Hua Hin's boutique Anantara, has conjured up an enchanted palace of sensual delight. Sea breezes harmonize with the earthy bouquet of the gardens, meditation pond and fragrances of myriad tropical flowers. Spaces flow thematically, beginning with the dramatic reflecting pool at the lobby, followed by the lake of lotus blossoms a level down, where real flowers mingle with their sculpted likenesses.

Steps, split down the middle by water streaming from a fountain, lead up half a level to the Angkorian swimming pool and its guardians of sandstone elephants, fish and giant mythical birds. Unlike many top resorts that surround their pools with prosaic concrete, sandstone borders these refreshing waters, providing a much more visually pleasing surface while maintaining a non-skid function. Though not the largest pool in Thailand, it is arguably the most striking, composed of a series of bathing chambers, including a bubbling area where sculptures of gleeful baby elephants recycle water through their trunks. Views take in the beach gardens and casuarinas, the Andaman's waves providing ambient sound. Still connected to the whole, the kid's area is set off by itself, allowing plenty of peace for couples and those who believe that vacation means getting away from children. At the far end, the garden takes over; paths lead through the trees, flowers and lawn to the north pool, which is every bit as delightful as the first, though more reserved, evoking a regal tone.

What many of Phuket's visitors truly seek is the beach and Mai Khao is one of the island's finest. Nowhere else in Thailand can one visit a resort of this calibre on a beach this long and remote. Mai Khao Beach stretches for a whopping seventeen kilometres, nearly all of which is protected by Sirinath Marine National Park. When one sets her feet upon its grains, all one can see is sand, casuarina trees, mountains and the Andaman. Due to its low-rise design, its sandy coloration, and the preponderance of vegetation, the resort itself disappears after a few steps along the surf's edge. Depending on the day, there may be a handful of locals casting for translucent sand fish, families picnicking under the shade trees, but at times guests have the entire tableau to themselves.

One of the few remaining habitats of endangered sea turtles in Thailand, Mai Khao Beach hosts the seasonal laying of eggs and subsequent hatching of newborns. The J.W. collaborated with the World Wildlife Foundation and local turtle protection organizations to launch the Mai Khao Marine Turtle Foundation, which won the Pacific Asia Travel Association Grand Award for Best Environmental Education Program, 2003.

Before I visited, I was not aware that J.W. Marriott is actually its own mid-luxury collection, separate from the Marriott line, set between the high-end luxury tier and the quality hotel tier. The Phuket property, the collection's first resort in Asia, may well be the flagship of the brand, and it is easy to see why. This year Robb Report proclaimed the resort one of the top ten worldwide. Staff here are the friendliest and most helpful that I have met in Thailand, a country with a reputation for excellent hospitality. During the SARS crisis, rather than laying people off, the J.W. held a large scale event to thank their associates for their hard work and to share ideas for further growth. Because associates are "treated as internal guests," Marriott International is considered a "preferred employer." The philosophy is simple and works: a happy employee provides the best service. J.W. Marriott Phuket currently enjoys a guest satisfaction survey score of 93%.

Rooms are finished in hardwoods, stone and marble, featuring balconies and relaxation alcoves where guests can lounge on traditional Thai pillows by the window and are draped in the finest Jim Thompson silk curtains, duvet covers and pillow cases. Blossoms of orchids, roses and other local flowers float in the bathtub when guests arrive. Baan Mai Khao, the royal suite, is posh, secluded and exquisitely designed in the same spirit as the greater resort.

The Mandara Spa offers a wide assortment of treatments in an lavishly tranquil environment, the fitness centre is state of the art and activities abound, including sailing, diving, batik-making and Thai cooking courses. A Peter Burwash International tennis professional is available; a new six-hole pitch and putt course has just opened. The J.W. is the closest luxury resort to the award-winning Blue Canyon Country Club, home to one of the best championship courses in Asia.

In the gourmet deli, notices are posted on black boards as to the specific time the chocolate chip cookies will be removed from the oven. Dragon heads, taken from antique royal barges, ornament the lobby. Everywhere, the stunning Asian architecture is reflected in water.

After dark, the grounds take on a new personality, a spiritual beauty. Much of the lighting is courtesy of oil-burning lanterns in the lotus lake and lining the swimming pool. Ceiling lamps are contained by intricately woven copper fishing weirs and rooster cages, all modeled by John Underwood after the traditional bamboo wicker structures one finds in local markets. Lights set at the base of casuarina trees cast eerie shadows and a walkway of railroad ties set on the sand allows for easy strolling between the swimming pool and the beach. Each restaurant represents a distinctive mood and world, Italian, Japanese, Thai, or global. One feels as though one resides in a splendid temple, ancient and primal, the merger of Angkor Wat and the Forbidden City. The feeling is utterly sublime.

When I read a perfect novel, I marvel not only at its characters and plot, I wonder at the author's tremendous talents, sometimes re-reading a delightful sentence, other times copying lines into my diary. Over the course of our weekend (it really did feel as though it belonged to us!) at the J.W., I had numerous opportunities to pause in amazement, beginning, I suppose, with the essential Swiss Chocolate Custard Tower after Friday's lunch. The most incredible feat of the hotel was its ability to make everything look so simple, effortless, as though this quality of experience should be commonplace. This sense is precisely what a great novel leaves with the reader.

A perfect resort must offer unbridled comfort, delicious food, beautiful decor, interesting architecture and landscaping, a variety of available activities, an inviting swimming pool, a clean beach, personable management and friendly, attentive, literate service. These criteria, so rarely fulfilled by even the finest of hotels, are really just the basics. A truly extraordinary resort, as with any work of art, must, additionally, rise above the necessities of its form and compose an opus which is lasting and unforgettable. The J.W. Marriott Phuket accomplishes this and more: it makes one appreciate how truly difficult it must be to get something absolutely right. At the same time it poses the niggling questions, "Why? Why can't everyone do this great a job? Why can't everything be like this always?"

 

 

  From Benjarong Magazine - March 2004, Volume 7 Issue 3




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