Colours of Malaysia Festival, Malaysia


Colours of Malaysia Festival

 Cross-cultural character and charm at the Colours of Malaysia Festival
 

By Marie Moon

In a world that seems fraught with conflict and cultural and religious misunderstanding, Malaysia stands as a beacon of light, an example of how distinct cultures may live in harmony regardless of race or religion. During the golden age of the Malacca Sultanate, this visually exciting and tropical land attracted traders and merchants from all over the world. With the arrival of gold and silk from China and India, the spiritual practices of Buddhism and Hinduism were slowly introduced. Arab traders arriving in Malacca brought with them the principles and practice of Islam and sometime later the Portuguese introduced Christianity to this spiritual mingling. Many of these traders settled in Malaysia, captivated by the beauty of the land, the plentiful natural resources and the convenient geographical position. Over time, local traditions and customs were duly influenced and the resulting inter-cultural marriages brought forth a new blend of culture; a cosmopolitanism that was distinctively Malaysian.

A strong national credo of inclusiveness means that ethnic groups in Malaysia have been able to maintain their traditions and community structures and it is this enduring blend of culture and tradition that attracts hundreds of thousands of visitors to Malaysia every year. Today Malaysia’s population of approximately 22 million people represents a colourful mosaic of Malays, indigenous ethnic groups, Chinese, Indians and Westerners. In a show of immense patriotism, Malaysians come together annually to celebrate their unique cultural heritage in an extravaganza of light and colour called Citrawarna, or the “Colours of Malaysia” festival.

Held annually since 1999, the festival’s main purpose is to present a diversified showcase of activities to attract foreign tourists and stimulate domestic tourism. The festival features exhibitions that are strongly orientated toward art, culture and cuisine. The festival will commence on 24 May 2003 until June 22, 2003 with a spectacular parade at the Merdeka Square in Kuala Lumpur, a site that is surrounded by some the city’s most famous landmarks like the majestic Jamek Mosque, the Sultan Abdul Samad building and the colonial style Selangor Club. The parade is expected to feature a cast of over 5000 artists performing scenes from history and legend through song and dance, while modelling the vibrant costumes of the various races and states. The procession will launch the festival with a burst of vigour, colour and cultural charm that will captivate the attention of tourists and Malaysians alike, however this is only a preface to an exhilarating month-long schedule of activities and events.

The Citrawarna Festival will feature presentations of traditional wedding ceremonies from the different races, displays of artistic performances from the various states, parades of Malaysian fashion, shadow play, traditional games and concerts of folk music. Another highlight of the programme is the ‘bangsawan’ or musical play, which will demonstrate, in resplendent style, a coronation ritual and a Royal Wedding ceremony. Gastronomists will be delighted with the ‘Tastes of Kuala Lumpur’ display, which will present a tempting array of popular Malaysian dishes and other taste sensations from the melting pot of national cuisine.

At the craft demonstrations, visitors may observe local craftsmen deftly producing handicrafts from local raw materials and many of these handmade items will be on sale at bargain prices. Yet another interesting exposition will present information and demonstrations of local traditional medicine and natural therapies.

A number of other traditional events occur concurrently, including the Dongdang Sayang festival in Malacca, which is a lively performance of ‘pantun’ or quatrain lyrics, involving the melodic, often haunting strains of male and female vocalists. The Hari Ka’amataan and Hari Gawai harvest festivals held in the states of Sabah and Sarawak are also celebrated with detailed ceremony. These states hold an open-house policy throughout the festival, where Malaysians and visitors alike are welcomed into the homes of locals, to not only witness the goings-on of everyday life, but to experience it within an atmosphere of celebration.

This carnival of carnivals sees representation from all sectors of the Malaysian tourism industry. Hotels, tour operators, restaurants and transport operatives contribute collectively towards a spirit of festivity making Citrawarna the ultimate manifestation of Malaysian multiculturalism.

 

 From Benjarong Magazine - May 2003, Volume 6 Issue 5


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